Let’s Talk Memoir

161. Writing to Our Past Self featuring Megan Williams

Megan Williams joins Let’s Talk Memoir for a conversation about being a new mother while training at the police academy, looking for validation, resisting the urge to punish ourselves, pushing back against the voice of patriarchal culture, writing to our past self, going too far and not going far enough, the loneliness of motherhood, setting boundaries in memoir, testing ourselves, what motherhood feels like now, moving elegantly through time in memoir, surrounding yourself with talented writers, frontloading a manuscript, and her memoir One Bad Mother: A Mother’s Search for Meaning in the Police Academy.
Also in this episode:
-thinking as a form of writing
-writing community
-writing conferences  
 
Books mentioned in this episode:
Crossing the River by Carol Smith 
Starry Field by Margaret Juhae Lee
Bastard Out of Carolina by Dorothy Alliosn
You Could Make This Place Beautiful by Maggie Smith
A Well-Trained Wife by Tia Levings
 
Megan Williams is the author of One Bad Mother: A Mother’s Search for Meaning in the Police Academy. After graduating from Haverford College, Megan received her Ph.D. in English from Temple University and taught at Lafayette College and Santa Clara University. She has moved across the country—never landing in the middle—three times in twenty years. She now lives in Bellingham with her husband, who runs Blue Dog Bakery and keeps their teenage twins, rescued cat, horse, and mastiff full of treats.
Connect with Megan Williams:
Website: www.meganwilliamsauthor.com
Facebook: https://www.facebook.com/profile.php?id=1347114175
Instagram: https://www.instagram.com/ottoisking/
Tiktok: @one.bad.mother
LinkedIn: https://www.linkedin.com/in/megan-williams-6585844a/
Get the book: https://bookshop.org/p/books/one-bad-mother-a-woman-s-search-for-meaning-in-motherhood-and-the-philadelphia-police-academy-megan-williams/20964845?ean=9781960573858
 
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

160. Falling Outside the Containers of What’s Expected featuring Paul Lisicky

Paul Lisicky joins Let’s Talk Memoir for a conversation about how his appreciation for Joni Mitchell  and love of her work shaped his life as a musician and a writer, vulnerability and uncertainty on the page, falling outside the containers of what’s expected, the singular and universal in our work, vulnerability and uncertainty in our creative process, corralling ourselves back to our 5 senses, feeling structure in our bodies, writing for the reader, developing ourselves as artists, being tenacious in pursuing our vision, writing about our idols, and his new book Song So Wild and Blue.
 
Also in this episode:
-image-based writing
-writing a proposal for the first time
-how structure can help liberate our work
 
Books/Authors mentioned in this episode:
Sigrid Nunez
Elizabeth McCracken
Sarah Manguso
Mary Gaitskill 
Joy Williams
Barry Lopez
Annie Liontis
E.J. Koh
All Fours by Miranda July
 
Paul Lisicky is the author of seven books including Song So Wild and Blue: A Life with the Music of Joni Mitchell, Later: My Life at the Edge of the World, The Narrow Door: A Memoir of Friendship. A recipient of Fellowships from the Guggenheim Foundation and the NEA, he is a professor of English in the MFA Program in Creative Writing at Rutgers University-Camden. He lives in Brooklyn.
Website: http://www.paullisicky.net/
Connect with Paul: https://bsky.app/profile/paullisicky.bsky.social
Instagram: https://www.instagram.com/paul_lisicky/
Get the book: https://bookshop.org/p/books/song-so-wild-and-blue-a-life-with-the-music-of-joni-mitchell-paul-lisicky/21517908?ean=9780063280373
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

159. Dear Writer: Pep Talks & Practical Advice for the Creative Life featuring Maggie Smith

Maggie Smith returns to Let’s Talk Memoir for a conversation about letting imposter syndrome go, fiercely guarding your interior life, getting back to the core place where creativity thrives, rewriting a book from scratch, how writing feels in the body, swerving out of your creative lane, battling the sophomore slump, what it feels like to be watched, when ego gets in the way, fears of paralyzing failure, playing the long game, the best advice she ever got, staying agile and awake in the creative process, and her new book Dear Writer: Pep Talks & Practical Advice for the Creative Life.
 
Ronit’s first interview with Maggie Smith: https://ronitplank.com/2023/04/11/lets-talk-memoir-episode-38-ft-maggie-smith/
 
Also in this episode:
-the inner critic
-assembling a book freestyle
-tenacity and grit
 
 
Books mentioned in this episode:
Meander, Spiral, Explode by Jane Allison
The Art of Memoir by Mary Karr
Truth is the Arrow, Mercy is the Bow by Steve Almond
Greywolf Press series “The Art of…” books
 
Maggie Smith is the New York Times bestselling author of eight books of poetry and prose, including You Could Make This Place Beautiful: A Memoir (One Signal/Atria, 2023); My Thoughts Have Wings, illustrated by Leanne Hatch (Balzer+Bray/Harperkids, 2024); Goldenrod: Poems (One Signal/Atria, 2021); Keep Moving: Notes on Loss, Creativity, and Change (One Signal/Atria, 2020); and Good Bones (Tupelo Press, 2017). Smith's next book is Dear Writer: Pep Talks & Practical Advice for the Creative Life, forthcoming from One Signal/Atria in April 2025.
Her poems and essays have appeared in the New York Times, The New Yorker, Poetry, The Nation, The Best American Poetry, The Paris Review, The Atlantic, AGNI, Ploughshares, Image, the Washington Post, Virginia Quarterly Review, American Poetry Review, The Southern Review, and many other journals and anthologies. In 2016 her poem "Good Bones" went viral internationally; since then it has been translated into nearly a dozen languages and featured on the CBS primetime drama Madam Secretary. Smith has received fellowships and awards from the National Endowment for the Arts, the Academy of American Poets, the Ohio Arts Council, the Sustainable Arts Foundation, and the Virginia Center for the Creative Arts.
 
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

158. Writing About a Past Where You Weren’t Present featuring Karen Kirsten

Karen Kirsten joins Let’s Talk Memoir for a conversation about the messy complexity of family, asking the right questions, writing about a time in history when you weren’t present in that history, utilizing and incorporating primary research, recorded interviews, archived documents, diaries, film, and photographs into memoir, writing fact-based vivid scenes, working with historians to accurately depict world-altering events, being honest with the reader and grappling with conflicting information on the page, changing the central question of your memoir, being a detective and being dogged, having a care plan and a nurturing creative community, writing about transgenerational trauma, inserting yourself into the narrative as a character, and her new memoir Irina’s Gift.
 
Also in this episode:
-structural changes late in the process
-delaying reveals to add suspense
-using image systems to address transgenerational trauma
 
Books mentioned in this episode: 
 
The Fact of a Body by Alex Marzano-Lesnevich
The Most Dangerous Book by Kevin Birmingham
The Sinner and the Saint by Kevin Birmingham
Fairyland by Alysia Abbott
The Postcard by Anne Berest
The Situation and the Story by Vivian Gornick
Seabiscuit by Laura Hillenbrand
The Warmth of Other Suns by Isabel WIlkers
The Neapolitan Novels by Elena Ferrante
Leviathan by Paul Auster
Question 7 by Richard Flanagan
Swimming in Paris: A Life in Three Stories by Colombe Schneck
Who I Always Was by Theresa Okokon
Karen Kirsten is the author of Irena’s Gift, a National Jewish Book Award finalist for Autobiography & Memoir, winner of Zibby Awards for Best Family Drama & Best Story of Overcoming, and an Australian Jewish Book Award finalist. Irena’s Gift is also The Australian newspaper’s’notable book’, and described by Pulitzer prize winning author Geraldine Brooks as ”a disturbing investigation into the power of secrets to harm and to haunt.”
 
Karen is an Australian-American writer and Holocaust educator who speaks around the world on the topics of hate and reconciliation. Karen’s essay “Searching for the Nazi Who Saved My Mother’s Life” was selected by Narratively as one of their Best Ever stories and nominated for The Best American Essays. Karen’s writing has also appeared in Salon.com, The Week, The Jerusalem Post, Huffington Post*, Boston’s National Public Radio station, The Boston Herald, The Sydney Morning Herald, and more. 
 
Connect with Karen:
Website: https://www.karenkirsten.com/
Instagram: https://www.instagram.com/findingbabcie/
Facebook: https://www.facebook.com/karen.kirsten
Book: https://www.penguinrandomhouse.com/books/747811/irenas-gift-by-karen-kirsten/
 
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

157. The Boundaries and Distance We Need to Tell Certain Stories featuring Paula Delgado-Kling

Paula Delgado-Kling joins Let’s Talk Memoir for a conversation about how her research and reporting on child soldiers, drug trafficking, and the revolutionary armed forces of Columbia (FARC) led her to tell the story of one woman and her family, the relationships we forge with whom we write about, allowing memoir to answer our questions, negotiating language barriers and class differences, coming to truth and understanding, grounding ourselves, hitting upon the structure a book needs, searching for humanity amidst ongoing violence, and her new book Leonor: The Story of a Lost Childhood.
 
Also in this episode:
-working as a journalist
-becoming embedded in the story we’re covering 
-negotiating dangerous environments to gather information
 
Books mentioned in this episode:
Tastes Like War by Grace M. Cho
It can take a really long time but that doesn’t mean it isn’t important or good.
 
Paula Delgado-Kling holds degrees in comparative literature/French civilizations, international affairs, and creative writing from Brown University, Columbia University, and The New School, respectively. Leonor, for which she received two grants from the Canadian Council for the Arts, is her first book. Excerpts of this book have appeared in Narrative, The Literary Review, Pacifica Literary Review, and Happano.org in Japan. Her work for the Mexican monthly news magazine Gatopardo was nominated for the Simon Bolivar Award, Colombia’s top journalism prize, and anthologized in Las Mejores Crónicas de Gatopardo (Random House Mondadori, 2006). Born in Bogota, Colombia and raised in Toronto, Canada, Delgado-Kling now splits her time between Boca Raton, FL and New York City. To learn more, please visit PaulaDelgadoKling.com or follow her on Instagram @PaulaDelgadoKling.
Connect with Paula
Website: http://pauladelgadokling.com/
Facebook: https://www.facebook.com/profile.php?id=100091961238236
Twitter: https://twitter.com/ColombiaTalk
Instagram: https://www.instagram.com/pauladelgadokling/
Get the book: https://www.amazon.com/Leonor-Story-Childhood-Paula-Delgado-Kling/dp/1682194477?crid=1M4ML48WOEEV7&keywords=leonor&qid=1683308327&s=books&sprefix=leonor,stripbooks,97&sr=1-1&linkCode=sl1&tag=ongoicom-20&linkId=986106192c06afd126c43cfe6d22043d&language=en_US&ref_=as_li_ss_tl
 
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

156. Taking Power Back with the Stories We Are Called to Tell featuring Diane Vonglis Parnell

Diane Vonglis Parnell joins Let’s Talk Memoir for a conversation about growing up with 9 siblings on an isolated farm under the tyranny of her abusive father and living in constant fear, homing in on the story we are called to tell, steering clear of portraying ourselves as victim or hero, not having closure, yearning for a mother, emotional absence, self-nurturing, trusting readers, the toll of secrets, changing names of family members, sharing manuscripts with siblings, writing about abusers, taking power back, and her new memoir The Taste of Anger.
 
Also in this episode:
-the importance of therapy to memoirists
-opting for a child narrator
-writing about emotional neglect and depression
 
Books mentioned in this episode:
The Liar’s Club by Mary Karr
The Art of Memoir by Mary Karr
Autobiography of a Face by Lucy Grealey
Creep by Myriam Gurba
 
Diane Vonglis Parnell grew up on a remote farm in Western New York with nine siblings. Her essay Blame the Milkman was a winner in the Fish Publishing short memoir contest, and included in the Fish Anthology 2022. Vonglis Parnell is a Scrabble enthusiast, and a lover of progressive rock music. She serves as a CASA (Court Appointed Special Advocate) volunteer for abused children in her community, and lives a minimalist’s life in a 200-square-foot cottage in San Luis Obispo, California. 
Connect with Diane:
Facebook.com/dianevonglisparnell
Instagram: @dianevonglisparnell
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

155. Grappling with Contradictions and Leaving Readers Room to Decide featuring Martha S. Jones

Martha S. Jones joins Let’s Talk Memoir for a conversation about being Black, white, and other in America, the origins of her family in slavery and sexual violence, anti-miscegenation laws, passing, who we call kin and why, taking up space, avoiding the Black-White binary, discovering family stories, writing in a full-throated way, leaving complexity in our work, being patient with our material, chasing threads, the duty we have to the people we write about, grappling with contradictions, leaving readers room to decide, writing and rewriting to get someplace new, the courage it takes to confront the past, and her new book The Trouble of Color: An American Family Memoir.
Also mentioned in this episode:
-false starts
-feeling ready to be read
-taking care of ourselves when writing
 
Books mentioned in this episode:
Heavy by Kiese Laymon
Memorial Drive by Natasha Tretheway
Black is the Body by Emily Bernard
Thick by Tracy McMillan Cotton
Inventing the Truth by William Zissner 
 
Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, her forthcoming The Trouble of Color: An American Family Memoir, confronts the limits of the historian’s craft in this powerful memoir of family, color, and being Black, white, and other in America. She is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.
Connect with Martha:
Website: www.marthasjones.com
X: https://x.com/marthasjones_
Instagram: https://www.instagram.com/marthasjones
Book: https://www.hachettebookgroup.com/titles/martha-s-jones/the-trouble-of-color/9781541601000/?lens=basic-books
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

154. Mothers and Other Fictional Characters: a Memoir in Essays featuring Nicole Graev Lipson

Nicole Graev Lipson joins Let’s Talk Memoir for a conversation about our culture’s fascination with reducing women to readymade templates and archetypes, performing fictional versions of ourselves, finding our way back to who we are, the essay as a place where writers can grapple with confusion, working sentence by sentence, finding the most precise microscopic truth, embracing our particularities, focusing on we’re enthralled with, what it means to be a woman today, writing about children, attention as a loving act, drawing from the mess, writing as our own form of protest, how writing can be a shame eraser, and her new book Mothers and Other Fictional Characters.
Also in this episode:
-finding your genre
-the architecture of the sentence
-finding community with other writers
 
Books mentioned this episode: 
The Creative Habit by Twyla Tharp
If You Want to Write by Brenda Ueland
Any Person is the Only Self by Elisa Gabbert
Spilt Milk by Courtney Zoffness
The Leaving Season by Kelly McMasters
“The Seam of the Snail” essay by Cynthia Ozick 
 
NICOLE GRAEV LIPSON is the author of the memoir-in-essays Mothers and Other Fictional Characters (Chronicle Books, March 2025). Her writing has been awarded a Pushcart Prize, selected for The Best American Essays anthology, and nominated for a National Magazine Award. Her work has appeared publications such as The Sun, Virginia Quarterly Review, The Gettysburg Review, LA Review of Books, The Washington Post, The Boston Globe, and more. Born and raised in New York City, she lives outside of Boston with her husband and children. 
Connect with Nicole:
Website: www.nicolegraevlipson.com
Instagram: https://www.instagram.com/nglipson
X: http://x.com/@NicoleGLipson
Facebook: https://www.facebook.com/nicole.g.lipson
 
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
https://www.facebook.com/RonitPlank
https://bsky.app/profile/ronitplank.bsky.social
 
Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

153. How We Are Haunted featuring Sarah Jaffe

Sarah Jaffe joins Let’s Talk Memoir for a conversation about allowing ourselves to be known on the page, learning how to pivot from journalism to the very personal, processing experiences through writing, being upended by grief, taking care of ourselves when writing about violence and terror, witnessing and giving voice to other people’s hardships with integrity and respect, becoming undone on the page, how we are haunted by the losses we live through, sculpting material down during revision, and her new book From the Ashes: Grief and Revolution in a World on Fire.
 
Also mentioned in this episode:
-documenting activism and organizing
-climate change
-the cognitive dissonance of social media
 
Books mentioned in this episode:
-Ghostly Matters by Avery Gordon
-Love and Borders by Anna Lukas Miller
-Who Cares by Emily Kenway
 
Sarah Jaffe is the author of Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted and Alone, which Jane McAlevey called “a multiplex in still life; a stunning critique of capitalism, a collective conversation on the meaning of life and work, and a definite contribution to the we-won’t-settle-for-less demands of the future society everyone deserves,” and of Necessary Trouble: Americans in Revolt, both from Bold Type Books.
 
She is a Type Media Center reporting fellow and an independent journalist covering the politics of power, from the workplace to the streets. Her work has appeared in The New York Times, The Nation, the Guardian, the Washington Post, The New Republic, the Atlantic, and many other publications. She is the co-host, with Michelle Chen, of Dissent magazine’s Belabored podcast, as well as a columnist at The Progressive and New Labor Forum.
 
Sarah was formerly a staff writer at In These Times and the labor editor at AlterNet. She was a contributing editor on The 99%: How the Occupy Wall Street Movement is Changing America, from AlterNet books, as well as a contributor to the anthologies At the Tea Party and Tales of Two Cities, both from OR Books, and Nasty Women: Feminism, Resistance, and Revolution in Trump’s America, from Picador. She was also the web director at GRITtv with Laura Flanders.
 
She was one of the first reporters to cover Occupy and the Fight for $15, has appeared on numerous radio and television programs to discuss topics ranging from electoral politics to Superstorm Sandy, from punk rock to public-sector unions.
 
She has a master’s degree in journalism from Temple University in Philadelphia and a bachelor’s degree in English from Loyola University New Orleans. Sarah was born and raised in Massachusetts and has also lived in South Carolina, Louisiana, Colorado, New York and Pennsylvania.
 
Connect with Sarah:
Website: https://sarahljaffe.com/
X: https://x.com/sarahljaffe
Instagram: https://www.instagram.com/sarahljaffe/
Facebook: https://www.facebook.com/sarahjaffetrouble
 
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
Follow Ronit:
https://www.instagram.com/ronitplank/
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Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers

152. Grief Journeys and Storytelling as Closure featuring Susan Lieu

Susan Lieu joins Let’s Talk Memoir for a conversation about realizing you’re an artist later in life, becoming a multi-hyphinate storyteller, being a mother when you never knew your own, piecing together a family story, feeling plagued by structure, sticking to the throughline, writing residencies, writing down goals, deciding to stop searching for approval from loved ones and getting it for and from ourselves, accepting loved ones as they are, grief journeys, storytelling as closure, and her new memoir The Manicurist’s Daughter.
 
Also in this episode:
-using a book doctor
-mental health stigma and older generations
-body acceptance
 
Books mentioned in this episode: 
-Ma and Me by Putsata Reang 
 
SUSAN LIEU is a Vietnamese-American author, playwright, and performer who tells stories that refuse to be forgotten. She took her award-winning autobiographical solo show 140 LBS: How Beauty Killed My Mother on a ten-city national tour, with sold-out premieres and accolades from the Los Angeles Times, NPR, and American Theatre. Her debut memoir, The Manicurist’s Daughter, is an Apple Book of the Month, Apple Book Must Listen of the Month, and has been featured on The New York Times, NPR Books, Elle Magazine, LA Times, and The Washington Post. Creator of The Vagina Monologues, V (formerly Eve Ensler) calls The Manicurist’s Daughter “a stunning, raw, brave memoir that wouldn’t let me go.” She is a proud alumnae of Harvard College, Yale School of Management, Coro, Hedgebrook, and Vashon Artist Residency. She is also the cofounder of Socola Chocolatier, an artisanal chocolate company based in San Francisco. Susan lives with her husband and son in Seattle, where they enjoy mushroom hunting, croissants, and big family gatherings. The Manicurist’s Daughter is her first book.
Connect with Susan:
Website: https://www.susanlieu.me/
Model Minority Moms Podcast: https://modelminoritymoms.com/
Instagram: @susanlieu, @celadonbooks 
facebook: https://www.facebook.com/susanlieuofficial
TikTok: @susanlieuofficial
LinkedIn: https://www.linkedin.com/in/susanlieu/
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Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 
She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.
More about Ronit: https://ronitplank.com
Subscribe to Ronit’s Substack: https://substack.com/@ronitplank
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Background photo credit: Photo by Patrick Tomasso on Unsplash
Headshot photo credit: Sarah Anne Photography
Theme music: Isaac Joel, Dead Moll’s Fingers